Patrick Diemer commented on my previous posting, All you can cheat, the web & learning by saying:

Do you have any words of wisdom or resources on how to create appropriate questions? This sounds great, but easier said than done in my humble opinion.

I started writing a response to his comment, but as I wrote on, I realized that it was better as a post in its own right. So here it is…

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Now here’s an important story coming out of Denmark: Students in Denmark Allowed Full Access to the Internet During Exams

I have always been a believer in allowing students to use any resources they can during examinations. If we care about authentic assessment, what can be more authentic than that. When I have a question that I need an answer to, or some topic I need to learn about, the first thing I do is go to Google. Why should students be denied that resource? Knowledge today is as much in our brains as it is distributed in artifacts (my laptop) and on the web. So it is heartening for me to read the following:

…the Danish government preach [sic] that the Internet is so much a part of daily life, it should be included in the classroom and in examinations.

With that belief, the government have taken the bold step of allowing full Internet access to several high schools during their final year exams. The implications of this are significant, particularly for the kinds of questions we ask in such exams. Clearly these have to change. No longer can we ask simple factual questions the answers to which can be easily found on the web. We have to ask questions that push students to compare and contrast opposing points of view, questions that push them to think critically about information, questions that push them to come to their own conclusions based on the information they can find. Read the rest of this entry »

How does technology change what we do? Often when a new technology appears we tend to see it in terms of existing practices and structures. So an e-book is the same as a book, except in digital format. E-books still have “pages” which we “turn” (with a flick or our finger or if you are stuck with the Kindle, by pressing a button), though digitality does not require pages or turning them. Similarly the design of most early online courses attempted to replicate face-to-face modes of teaching (capturing lectures through video, for instance), instead of pushing for exploring the possibilities of this new medium. This is often most obvious in the kinds of iconography that new technologies generate. So the icon for Microsoft Word document looks like a piece of printed paper, an email-box looks like a regular mailbox (think AOL and its “You’ve got mail” message) and so on.

However, new technologies do not just replicate what we could do before – they insidiously and fundamentally change the nature of the tasks we perform. Think of the idea of hyperlinks! Regular texts go hypertextual through developments like the table of contents, indices etc. however, these are weak attempts at best. True hypertext emerges only through digitality.

I was reminded of this when reading a recent NYTimes article on video bingo and the controversies it is causing in Alabama. The article begins by describing traditional bingo:

Everybody knows what this is: dozens of people, mostly retirees, hunched over paper grids in a smoke-filled American Legion hall on a Sunday evening listening eagerly to a woman recite numbers.

Now we have a new player on the block, video bingo! which is described as follows:

But what about this: a dim warehouse of flashing, jingling video terminals with names like Boomtown Bonanza where, early on a weekday morning, people sit on stools pushing buttons and watching cherries and 7s reel by.

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For Halloween, my daughter, Shreya’s fifth grade class entertained a bunch of first-graders with a spooky music and dance show. A news reporter was there and her photo (Shreya’s not the news reporter’s) ended up on the cover of The Towne Courier, the local community newspaper. Here is a link to the story and since it may not remain online forever, I have kept a screenshot here. Here she is, dressed up as a Spider Queen(?), spinning “a musical web on her xylophone.”

I came across this sign when I was in India recently and I just HAD to take a picture of it.

Click on the picture for a larger version

Of course, much of the effect comes from the inadvertent yet appropriate peeling of the paint from the letter “R.” But fun nonetheless.

A new ambigram created in memory of Jere Brophy, world renowned scholar on psychology of motivation. The ambigram reads, “motivation” one direction and “Jere Brophy” when rotated by 180 degrees. Click on the image to see a larger version, hosted on Flickr.

Enjoy.

My friend, Martin Oliver, over at the London Knowledge Lab sent me the following link about a TPACK related publication that appeared in the International Journal of Education and Development Using Information and Communication Technology, aka IJEDUICT. (Boy, that’s a long name for a journal, and I dare you to pronounce the acronym.) As it turns out, I was not acquainted with this journal. A quick browse showed that it had a strong international authorship and readership. Sadly most of my publications (with a few exceptions) have been in US journals, and doubly sadly, most authors published in US journals are from US universities. This is so parochial and a pity because there is a lot that we can all learn from each other, especially in a field like Ed Tech.

Any a bit of TPACK-searching on the journal website led to three separate mentions (technically there are two since one of the mentions was in an editorial describing an article in that very issue that utilized the TPACK framework). Anyway, for the record here are the citations (and links).
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What do you think this is?

Take a guess…

Well, it is the top half of a lake-reflection ambigram. What this means is that if you reflect what you see along a horizontal line at the bottom of the image, the picture you will then get will spell a word. Can you figure out what it says?

While you think about that, let me tell you about this new group-blog set up by graduate students in our Educational Psychology and Educational Technology Program. The blog is called IdeaPlay and is available at ideaplay.org. So sitting here in India I had a few moments to sketch out some ambigrams for their blog. Here are two…

The first is a rotational ambigram that reads the word “Idea” if you go clockwise and the word “Play” if you go anti-clockwise.

And as for the lake reflection ambigram (half of which you saw up there)… well (no great surprise) it reads IdeaPlay as well, like so..

I hope you liked these new ambigrams, and I hope you will check out the the ideaplay.org blog.

Robin Revette Fowler sent me a message on Facebook regarding my recent posting(s) about moving from incompetence to mastery (see the two previous posts here and here). She took issue with my idea that mastery requires some kind of meta-level, self-awareness. She said

It seems like the issue is with either the meaning of “mastery” or perhaps with the types of skills you’re talking about.

Conscious/unconscious knowledge is especially interesting to me re: linguistics. Most native speakers have only unconscious competence of their language– I used to hear Writing Center tutors telling ESL students, “you need an ‘a’ here; I don’t know why” all the time. Many NNSs, on the other hand, have much stronger conscious competence– they often know “rules” about how to use determiners much better than Native English speakers, for example. At the same time, I’m not sure they would be said to have “mastery.”

And I don’t know that the conscious competence is the important thing here. Would you argue that only linguists who can describe their determiner choices have “mastery” of English grammar?

At first blush Robin seems to be making a good point. Do writers need to know how and why they do what they do they do as long as they get it right? There is a surface plausibility to the argument but I am not sure that it stands muster if we dig deeper.
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Ken Friedman, whose article I had used as the basis of my previous posting, From incompetence to mastery, the stages dropped me an email in response to my critique. To provide some context, (you can read my full post here) I had suggested in my posting that it may be inappropriate to label the the highest level of mastery as being unconscious competence. My concern, of course, was with the “unconscious” part – since I felt that true mastery requires a level of reflection, something denied by the word “unconscious.”

Ken wrote that he actually sees examples of unconscious competence everywhere. He went on to say (quoted with permission) Read the rest of this entry »

One who knows and knows he knows is a wise man, Follow Him
One who knows and knows not he knows is asleep, Awaken him
One who knows not and knows he knows not is a child, Teach him
One who knows not and knows not he knows not is a Fool, Avoid him.
– Attributed variously to Confucius, Socrates and others

I was reminded of this quote while reading an article by Ken Friedman titled, Design Science and Design Education and came across a section that described a view of learning. Friedman describes a framework on going from incompetence in a domain to mastery in the same domain. More specifically, Skoe talks of this process as having four key stages. These four stages are: unconscious incompetence, conscious incompetence, conscious competence, unconscious competence. Here is Friedman:
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There is a nice article in the State News about Jere Brophy including quotes from his daughter Cheri Spier, my department chair Dick Prawat, and my former advisee (now faculty member at Drexel) Aroutis Foster.

Read MSU professor dies, honored by colleagues as field pioneer

In a couple of previous posts I had talked about the idea of postdiction (see the posts here and here). The argument being that good teaching (among a long list of other good things) is postdictable, i.e. it walks the line between predictability and chaos, and most importantly makes sense post hoc. To make my point I had posted a couple of videos that were good examples of being postdictable.

Closely connected to the idea of postdictable is the idea of creating anticipation and suspense. Once again other artists (particularly those working in temporal media such as film, and advertising) seem to have grasped the importance of this earlier than educators. Good film-makers can create suspense out of pretty much the flimsiest of materials. Think of the first scenes from Tarantino’s Reservoir Dogs. The way the scene builds tension out of a disagreement over whether or not to tip is pitch perfect. There is more tension in that scene than in dozens of other “suspense” thrillers.

However making suspense work is difficult. Navigating this line between predictability and tension over the unknown is a fine art. (This is where, of course, the connection with postdictability becomes most clear.)

Check out the two videos below, which highlight just how fine the line is between succeeding at creating suspense and anticipation and failing to do so. Both of these videos are interesting and well made – both have pace and rhythm but one of them builds anticipation while the other just happens. One tells a story, the other doesn’t.
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The Lansing temple recently organized a special Diwali program. My daughter Shreya participated in a dance and I, as always, took photographs of the event. Click here or the image below to see all 161 of the photographs I took.

Enjoy.

You can also read a poem written by Shreya on Diwali on her blog Uniquely Mine.

Carole Ames, Dean of the College just sent out this note regarding the sad news of Jere Brophy’s passing. She has asked for it to be shared with our broader networks, so I do so.

Note: The memorial service for Jere Brophy has been scheduled for Monday, October 19th 2009, from 10 – 12 at the MSU Alumni Memorial Chapel

It is with great sadness that I write with the news that our dear colleague, Jere Brophy, died last night from an apparent heart attack. There are no words to express the loss of this intellectual giant to the field of education, but more importantly, we have lost an esteemed colleague, a cherished friend, and generous mentor. Jere’s warmth of character was apparent in all his interactions. He always had an inviting smile, was known for his laid-back manner, and greatly enjoyed a good chuckle. He had a genuine interest in other people, their families, lives, work and ideas. To the world, Jere was an internationally-renown scholar whose writing informed researchers, policy-makers, and practitioners alike. To us, he was all that, but, in addition, we had the privilege of having him as our beloved colleague.
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I chair the committee on Innovation & Technology of the American Association for Innovation & Technology (AACTE). The committee has been working hard with people over at AACTE (Rachel Popham deserves a big shout out) in organizing a webinar series coming up November 17th – 19th. Here’s a description:

This webconference addresses creative teaching and learning in the digital age. Designed within the Technological Pedagogical Content Knowledge (TPACK) framework these sessions by top-notch scholars, researchers and practitioners will cover a range of topics: including the educational potential of social networking, the expanding use of GPS, intelligent use of video to teach science, and the role of cloud computing in face to face and online classes. The goal is to help participants think creatively about integrating multiple technologies into varied teaching and learning contexts.

Readers of this blog will find a familiar name, Sean Nash of Nashworld as one of the presenters!! I may be moderating one of the sessions though that is still being worked out. So lock in these dates and you can find out more by going to the AACTE website.

I had written earlier about the idea of “postdictable” which was defined as something that is “surprising initially, but then understandable with a bit of thought.” It lies at the spot between predictability and total chaos. The movie Sixth Sense is postdictable in the best sense of the world. Good teaching I believe needs to be postdictable. That is what keeps us engaged, keeps us waiting for more, the payoff as it were. And best of all, once all the pieces are in, we can’t wait to go back and review everything again, to see just how beautifully the whole thing holds together. There is a strong aesthetic component to this – a sense of wholeness, closure, elegance, and inevitability. Good poems have this quality, as do mathematical theorems. A well crafted lecture or a lesson plan has this quality as well. In my mind these ideas are closely tied to the Dewey’s idea of experience and to the idea of design. Hopefully I will have a chance to explore these connections in a later post but for now, here are a couple of commercials that I think were postdictable in a really cool kind of way.
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