Every Christmas-break our family creates a stop-motion video new year’s greeting card. We have been doing this for 4 years or so and it is an incredibly fun way to spend time together. It has become a “signature” thing we do as a family. Anyway this year was no exception – though it took us much longer than before to come up with a good idea – and then to execute it was another challenge. Anyway, here it is (on Vimeo).
A very wonderful holidays and a very happy new year to all of you,
from Shreya, Soham, Smita & Punya
Just a few comments on the making of these videos. First, all our new-year videos are stop-motion videos. That’s how we made the first one and it has stuck. Second, all these videos are somewhat typographical in nature – playing with words and their representation. Third, these videos rarely feature us either individually or as a family. A hand or a still-frame may show up once in a while but for the most part our videos are made with inanimate objects.
This year I tried to change all three of these, suggesting that we make a live action video, with us as actors – and have some kind of a puzzle that was not related to words. After spending days thinking about this, working with various ideas, this whole line of thought was vetoed down by both Soham and Shreya. It was interesting to me that over time we had not only become a family that makes videos but a family that makes stop motion videos! How cool an identity is that! Of course, this meant that we then had to start over from scratch to come up with something that fit what we had done in the past.
Speaking of videos made in the past, you can see them by following the links below:
Over the past few weeks I have been experimenting with using my iPad as a drawing/painting tool. The sketches below were created by tracing on an existing image – usually a photograph. So this is not “freehand” drawing per se – but given my limited talents that may not be such a bad idea.
What you need for this is a drawing/sketching App that allows you to draw in layers. You place your photo on one layer and draw on the layer above it. This way you don’t mess up the photograph and you can separate your sketch from the photo. Once you are done, all you do is delete the photograph-layer and there it is, a lovely (well that’s subjective) hand-drawn sketch.
As you can see I started with simple line-drawings, and over time have tried branching out a bit, through the use of shading and now, even color.
A typical sketch takes around 20 – 30 minutes (sometimes less) – and I have found it just a fantastic way to relax. Creative relaxation… what else can one wish for.
I am extremely proud of what we do as a part of our Master’s in Ed Tech (MAET) program. It is a unique program and over the years we have worked hard to make it a multi-faceted and unique experience for your students. Over the next few weeks I (with some help from doctoral student Laura Terry) will be posting examples of the excellent work our students do in this program. (See here for the first post about representing educational tensions with photography.)
The design of our program is very carefully thought through—driven both by powerful theoretical ideas grounded in the pragmatics of teaching and learning. Just this week I found out that a paper we had written about the kinds of activities we do in the MAET program just got published. If you are interested in teacher education and teacher professional development or specifically in the MAET program please check out:
Koehler, M.J., Mishra, P., Bouck, E. C., DeSchryver, M., Kereluik, K., Shin, T.S., Wolf, L.G. (2011). Deep-Play: Developing TPACK for 21st Century Teachers. International Journal of Learning Technology, Vol. 6, No. 2. 146-163.
Abstract: A key complication facing teachers who seek to integrate technology in their teaching is the fact that most technologies are not designed for educational purposes. Making a tool an educational technology requires creative input from the teacher to re-design, or maybe even subvert the original intentions of the designer. The learning technology by design (LT/D) framework has been proposed as being an effective instructional technique to develop deeper understanding of technological pedagogical content knowledge. In this paper we expand our description of the LT/D technique to develop what we call a deep-play model for teacher professional development. The deep-play model integrates: (a) pedagogy for key 21st century learning skills; (b) content that cuts across disciplines with trans-disciplinary cognitive tools; (c) technology by the creative repurposing of tools for pedagogical purposes.
Please let me know if you would like a copy of the paper.
The Hindu god Ganesh (the elephant-headed one) is celebrated across India, and the world, around this time of the year. The Hindu community in Lansing is no exception. A couple of days ago I was asked to take pictures of a music program at the local temple.
It was a great evening full of friends, food and devotional music. I am not a very religious person but there is something about devotional music (irrespective of which religion it may be) that always touches a chord with me.
Anyway, here are the pictures I took the other day. I particularly loved capturing the moon over the temple. Enjoy.
Steve Jobs retired as CEO of Apple this past week. The Wall Street Journal marked this event by creatingSteve Job’s Best Quotes compendium. There are all worth reading – but a couple stood out for their connection to this course.
Creativity is just connecting things. When you ask creative people how they did something… It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things. And the reason they were able to do that was that they’ve had more experiences or they have thought more about their experiences than other people. [Playboy, Feb. 1, 1985]
A large part of my creativity course, CEP818, (announcement here) has this idea of creativity as “connections” at its core. One of the goals of the course is to provide a set of trans-disciplinary tools that can help increase the possibility of making such connections.
And finally, here’s my personal favorite quote from Jobs that speaks to the ethical and aesthetic dimensions of the work we do (be it design or teaching).
When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through. [Playboy, Feb. 1, 1985]
The following note just went out to all the students signed up for CEP818, Creativity in Teaching and Learning (Fall semester 2011).
We hope you have had a great summer are ready to get back to school! We (Punya Mishra & Kristen Kereluik) will be your instructors for CEP818. You can find out more about us by visiting our websites. This note is to welcome you to the class and offer some specifics about what you will need to do before class starts. Please read this note carefully since it contains important information on things that need to be done before the class starts.
As you may know, CEP818 is a fully online class; there are no plans to meet face-to-face, unless that includes our digitized photos beamed over the Web. We will begin the class on Wednesday, August 31. Please note that the class will NOT be conducted through ANGEL. We will send you an email (to your MSU address) with the more details closer to the start of the semester. For now, we provide a little bit about the class followed by some information about what you need to do to prepare for it.
Creativity is of increasing importance to educators, both for their professional success and that of their students, particularly given the complex, rapidly changing world we live in. The emergence of the knowledge economy (and the knowledge worker) means that tasks are rarely “given” or structured. We are now expected to operate in a complex and chaotic ecology where our very survival and personal identity is tied up in improvising knowledgeable answers to largely unanticipated problems. It has been argued that the solution to these concerns is an increased emphasis on creativity.
So, how is it that you can start to think more creatively for yourselves, apply those methods to your teaching, and pass on some to your students? Well, it is really, really easy (well maybe not really, really easy, but it is often not as hard as we make it out to be). It can also be a lot of fun.
A critical part of becoming creative is being able to play—particularly with ideas or concepts – and feel comfortable in doing so. The activities in this course will seek to develop such an approach through, what we call, “thinking tools.” In an interactive series of modules we will explore these tools and their relationship to creativity. Each of the issues/topics will also be illustrated with multiple examples from the world of education, psychology, and business, interspersed with games and puzzles connected to the ideas being discussed.
Here are some things we would like you to do to prepare for 818:
Buy (or otherwise obtain) the book: Sparks of Genius: The Thirteen Thinking Tools of the World’s Most Creative People by Robert and Michele Root-Bernstein. This will be our core text. Note: Amazon.com lists the book for as low as $5.50, though you may have your own favorite bookstore. You are not required to have to have read the textbook before class – but feel free to dip into it…
Be prepared technologically:
Have a computer with a high-speed Internet connection, a standard productivity suite (word-processing, presentation tools, etc.), an up to date browser (we recommend Firefox or Chrome) with standard plug-ins (PDF reader, Flash viewer, etc.). Note: If you can access the reading and the movies below you should be good to go.
You should also have access to a digital camera: We plan to do some photography through the semester, so – so it will be good for you to have one just for yourself (at least for the duration of the course). It doesn’t have to be a very fancy one, though if you have one, that’s great.
Read a book chapter and watch a video
Download and read the attached chapter by Csíkszentmihályi on Enhancing Personal Creativity from his book, Creativity: Flow and the psychology of discovery and invention. http://bit.ly/bQ7Lx
Watch this video by Dr. Ken Robinson where he argues for creating an education system that nurtures (rather than undermines) creativity. http://bit.ly/2tkgtH
Finally, the most important thing you can do to prepare for 818 is to come to the course website on the first day of class with an open mind and a willingness to play.
We look forward to working together this fall. Drop us an email (punya@msu.edu or kereluik@msu.edu) if you have any questions or concerns. Please remember to put CEP818 in the subject line.
Jim Garrison and A. G. Rud have a wonderful article on TCRecord on Reverence in Classroom Teaching. Though, reverence may be “too exalted a word to associate with the practical and often mundane activities of teaching,” it appears to me that ignoring these deeper impulses impoverishes us as individuals and as a society. Framing teaching as being just about imparting skills, and knowledge, aimed at achieving instrumental goals (jobs, career and the like) misses something crucial. As they write:
… although teaching students involves imparting knowledge, it is also a calling with other dimensions beyond the cognitive … It is about the formation of minds, the molding of destinies, the creation of an enduring desire in students not only to know, but also to care for others, appreciate beauty, and much more. In some sense of the word, teaching is a spiritual, although not necessarily religious, activity. When done well, it cultivates human intimacy and allows teachers to find creative self-expression in classroom community.
The authors define reverence as follows:
Reverence is comprehension of human limitation, imperfection, and our appropriate place in the cosmos as a consequence of the humility that arises from feelings of awe, wonder and admiration before something or someone that meets at least one of the following conditions: (1) Something or someone that cannot be changed or controlled by human means; something we are powerless to alter. (2) Something or someone we cannot create. (3) Something we cannot completely understand. (4) Something or someone transcendent; something supernatural.
Though I have not used the word “reverence” in my own writing / thinking I have often said the same thing about the role of the aesthetic in teaching in learning and the need for us to develop a language that allows us to include these dimensions of the human experience in our work. I have some reservations about the word “reverence” – mainly because of the religious connotations which can sometimes lead conversations into directions one may not necessarily want to go. (Though, I must add, that Garrison and Rud, take pains to write that “teaching is a spiritual, although not necessarily religious, activity.”)
Some examples from my previous writing on this blog that allude to similar ideas are provided below.
I want to end with something I wrote about the movie 2001 A Space Odessey:
2001 is a movie of big ideas: about what it means to be human, what is our relationship to technology, about our place in the cosmos, and our inability to answer some of these questions. 2001, thus, is a profound, deep and thoughtful attempt to use the medium of film to explore these ideas. And the style Kubrick chooses is intensely visual, deliberately paced, with minimal dialog. The first section of the movie has no dialog because there are no thoughts to express and no words to express them with. This is mirrored in the third and final section which has no dialogs because thoughts have far outstripped the ability of words to convey meaning. The section in between, set somewhere in the near future (as the 1960?s would imagine 2001 to be) has words, but even here it is amazing just how few, and ineffectual they are. Humans for the most part seem remote and disconnected from each other and, strangely enough, the most engaging character is the computer HAL!.
As is clear, 2001 is a ambitious movie (some would even say too ambitious). But it does do one thing right – it asks the right questions and tries to come up with an answer. And it does so in an ambiguous manner, allowing for multiple interpretations and readings. And that is its strength. It seeks, through the medium of film, to penetrate a “fundamental disparity between the way we perceive the world, including our own experience in it, and the way things actually are” (Dalai Lama quoted by Eberhart). That this is an effort doomed to failure is neither here nor there. In fact, the last line of dialog in the film speaks to this very possibility of failure: “Its origins and purpose [are] still a total mystery.” In the movie this dialog is about a black monolith – but works as aptly for the universe we live in.
In fact, as I think about it, 2001 is a deeply reverent movie. The question I have is whether we have created similar spaces for reverence in our classrooms? Have we even considered it? Or have we killed the idea with our focus on No Child Left Behind and Race to the Top?
I have, for a long time, been interested in the Droste effect – a “specific kind of recursive picture… [in which] an image exhibiting the Droste effect depicts a smaller version of itself in a place where a similar picture would realistically be expected to appear. This smaller version then depicts an even smaller version of itself in the same place, and so on” [from Wikipedia]
The effect gets its name from “the image on the tins and boxes of Droste cocoa powder, one of the main Dutch brands, which displayed a nurse carrying a serving tray with a cup of hot chocolate” which in turn repeats the same image (just in small size) and so on… for ever. In fact when I visited the Netherlands a couple of years ago, I made it a point to pick up a box of Droste cocoa power – just so that I could have a box of my own! This is what the box looks like:
Over the years I have tried to play with this but my attempts have been crude at best – more a function of my limited knowledge of Photoshop than anything else. All this changed last Friday, when I found out about the Droste App for the iPhone/iPad. I bought a copy and spent the weekend playing with it. It has been great fun and below are some images I created. Enjoy.
TPACK is huge in Australia (for instance see this note TPACK underpins Aussie Teacher Ed Restructuring). I am hopeful that one of these days this interest will translate into a trip down-under… It would be great to travel around the continent, giving talks, meeting some cool educators, and maybe even get to see some cricket! How cool would that be.
Now, due to this interest, my TPACK-related Google Alert often provides links to work being done down-under. Recently I was treated to two video mashups based on the SITE2008 Keynote that Matt Koehler and I presented at Las Vegas.
These videos were created by Mike Sisley, at The University of Canberra, as a part of a special focus on TPACK for English, literacy and History. Mike is a TPACK advocate and seeks to create resources for the teachers of the content areas and created these mashups for this purpose. The first has an autotuned version of my voice (!!!) and the second has an original song called the Shulman Shuffle.
For some reason the embed codes don’t seem to work, so you will have to navigate over to Vimeo to watch them. Check out
Pauline Kael is regarded to be one of the best film reviewers to have ever lived. Sam Sacks has a piece on Kael in which he describes her style of film review, one based less on academic nitpicking and the presence (or absence) of directorial flourishes than on her personal aesthetic response to cinema. She is quoted as saying that there is only one rule in filmmaking:
There is only one rule: Astonish us! In all art we look and listen for what we have not experienced quite that way before. We want to see, to feel, to understand, to respond in a new way.
I read this quote and immediately realized that this rule applies to teaching as well. I have often described teaching as doing two things – making the strange familiar (an eclipse of the sun is caused by the moon falling into the earth’s shadow) or making the familiar strange (all matter is essentially empty space). What is common is the sense of surprise we experience in both cases.
It appears to me that very often we forget the value of astonishment and awe in teaching and learning. This is where the quote above really connects with my idea of teaching. Repeating the quote but by changing just one word—replacing “art” with “teaching.”
There is only one rule: Astonish us! In all teaching we look and listen for what we have not experienced quite that way before. We want to see, to feel, to understand, to respond in a new way.
How do we as educators meet this goal of “astonishing us all.”
Many years ago I got bitten by the Ambigram bug and before I knew it I had created hundreds! This was of course long before Dan Brown and Angels and Demons made ambigrams wildly popular. It has been fun to see what was once a fringe activity take on a wider popularity. There was a time that I could actually count the number of ambigram artists on the fingers of my hand, and, in fact, most of us knew each other, either formally or informally. Things are very different today as a Google search will easily reveal, but this also means that keeping track of all that is going on in the ambigram field is extremely difficult.
Over the past few months I have been talking with Mark Hunter a gentleman who is trying to make high quality ambigrams accessible to more people, and to raise awareness of ambigrams worldwide. He is doing this through two different web sites.
He is also the owner of Ambigram.com, which seeks to be an almost one stop site for all you need to know about ambigrams. He told me about how he spent a considerable sum to purchase the Ambigram.com domain name and has worked hard to grow its membership. He has been quite successful in this and in fact they they recently announced their new Ambigrammy Awards! (How cool is that.) He also maintains a list of artists practicing this craft (your’s truly being one of them).
A few weeks ago I had written about an email that I received from an eighth grader in Colorado. Jake, a budding poet, was interested in learning more about me in the context of some palindromic poetry I had written many years ago. I wrote back to Jake (you can see the correspondence here) and a couple of days ago I received another email from him, this time containing a palindromic poem written by him. With his permission, I am including his email and poem below:
Punya,
Here is the palindromic poem that I wrote recently, but I made it so that the words are reversed instead of just the lines. It adds another layer of difficulty to creating it, and I recommend trying it if you get the chance.
Falling Snow
snow falling gently
on stomping feet
cold stinging
the teasing and laughing children
sculpted beautifully – crystals form
flakes dancing gracefully
tumble and spin
spin and tumble
gracefully dancing flakes
form crystals – beautifully sculpted
children laughing and teasing the
stinging cold
feet stomping on
gently falling snow
How awesomely cool is that! I wrote back to him right away saying
Jake. This is awesome!!!! I just shared it with my family and we were unanimous in our appreciation and praise for your achievement. Not only is it a doubly palindromic poem, an achievement in and of itself, it is a wonderful poem in it’s own right….
Thank you so much for sharing this with me. It completely made my day.
Don’t you just love the open-architecture of the web (and why I resist the closed worlds of Facebook).
I am currently working on a poetry research project for school, and one of the requirements is researching five different poets. While looking for people who wrote palindromic poetry, I found your website and decided to use you in my project. The only problem is that I can’t find much information about you for my research. If you could, please respond to this e-mail with a little information about your history (i.e.-date and place of birth, family relations, etc.) as well as your inspiration for writing your palindromic poems. Thank you for your support!!!!!
Sincerely, Jake
P.S.- I am an eighth grader from Colorado and an aspiring poet.
Now I don’t consider myself a poet in any serious sense of the word (my dabbling in mathematical poetry or palindromic poetry notwithstanding). But it is great feeling when something you create and put out there in the world connects with someone else, someone who you would never otherwise have met or gotten to know. Here is what I wrote back to Jake:
Dear Jake –
Thank you so much for writing to me. I am honored to make it to your list of poets and glad that you are interested in palindromic poetry.
As for my history: I am professor at Michigan State University in East Lansing MI. I am originally from India where I studied engineering and design before coming to the US and getting my PhD. My wife is a graphic designer and I have two kids: my son who is a freshman in high school and my daughter who is in 6th grade.
Ever since I was a kid I have always been interested in puzzles and mathematics and poetry and visual design. That I think led to a habit of playing with words and images… so I do a lot of doodling and sketching (specially when I in meetings). I am fond of asking questions and looking at things around me in new ways. For instance, I love photography, on my Flickr site you will find photos of silly things like finding alphabets in cracks, and faces in everyday things. See this link and this one…
Then there are the videos I make with my kids. For instance see the new year’s card we made recently.
This also led to my creating ambigrams, which are words that are written in a special ways so that they can be read multiple ways. You can find a bunch of such designs on my website.
So I guess, palindromic poetry emerged out this desire or propensity to see the world in weird ways. And the challenge of writing poems that read the same backward and forward was inherently interesting. I particularly enjoyed writing ones that flipped in their meaning when you cross the half-way point. For instance in the poem “Me as I sit” the poem switches from me watching you to you watching me!
Finally, as must have noticed, from the dates, most of these were written a bunch of years ago when I was a graduate student at the University of Illinois. I haven’t written too many recently but the fact that they are on my website leads people to them – and I form all kinds of cool connections – such as the email I just received from you. A year or so ago I heard from someone who uses my poetry to teach poetry to inmates in prison (how cool is that!). You can read about that here.
That’s all for now.. I would love to read any palindromic poetry you may have written, if you are comfortable sharing them with me. Thank you again for your interest in my work. I look forward to hearing from you and let me know if there is anything else you need to know.
take care ~ punya
Note: I got Jake’s (and his parent’s) permission to post our correspondence on this blog under the condition that I not include his email address or other contact information.
Many moons ago I had written about the idea of the web as small pieces loosely connected (read Gandhi, ambigrams, creativity & the power of small pieces loosely joined) that allow people to pursue their passions and share it with the world at large. This is what gives the web its power, and this is also why I am not as comfortable with the barricaded worlds created by Facebook, which would not have allowed someone like Jake to easily find me, (but that is a rant for another day).
I had a wonderful day at the Grant Woods Area Education Agency at Cedar Rapids, Iowa. I was invited there by Andy Crozier and his team as a part of their 21st Century Learning Institute. I spent the day with 50+ teachers, library media specialists, and administrators talking about TPACK, creativity, technology integration and other fun stuff. This was a great group of people and I had a great time (and I hoped that they did too).
A wordle of some of the ideas that we touched upon can be found below (thanks Nick Sauers)
Matt Townsley’s Notes (Incidentally Matt and I have known each other for a while now but had never met. It was great to finally meet up with one of my online buddies. Matt blogs at MetaMusing)
The participants also created (as a part of the workshop) some poems. I am including them below:
Creativity Haiku by Karry, Michelle, Kathleen, Beth, Todd, Kathy technology is
creative innovation
tpack makes us think
Limerick by Deanne, Ruth, Jason Administrators, librarians and teachers
Came to learn about “teachnology” features
TPACK is the focus
Dr. Punya is the “mostest”
They came out of there much wiser creatures
Untitled by Joe, Kay, and Jessica While spoon feeding our students in class
We focus on the Total PACKage
As we use, integrate, and innovate
To help them Know-Act-Value
We find-Everything is NEW
Deja Who? by Amy, Christopher, & Mike There once was a man from MSU.
He Déjà Vu’ed and Veja du’ed.
TPACK was his shared view
of all that was NEW!
Poem by Melva, Cathy, Jan, Kim, Dianna Acronyms, acronyms, here’s what we found
TPACK is where teaching hits the ground.
Technology, Pedagogy, Content and Knowledge
Will take teaching beyond the cutting edge.
NEW stands for Novel, Effective and Whole
And if something is meant to roll, it should roll.
We’re learning how in our classrooms to apply
All of this information which is in great supply.
Team TPACK by Tony, Mary, Kelly, Jodi There once was a teacher from Marimac
Who wanted to teach with his Mac
His friend said now Jo
Just take it slow.
Remember to think about TPACK
Poem by Mary, Brad and Jan Teaching 3 knowledge bases
Providing framework for technology integration
And
Creativity
Keeping learning déjà vu and veja du
Creativity by Brian, Lisa, Seth, Julie, Stacy There was a smart man from MSU,
who defined creativity as N-E-W.
He effectively did present
technology, pedagogy and content
and it all started with veja du.
Thanks to Andy and his team for this wonderful opportunity.
Back in January I was invited to speak at the Drexel Learning Games Network (DGLN) seminar series. As I had written in my original post (TPACK & Games @ Drexel), DLGN is the brainchild of Aroutis Foster, former graduate student, now rising star academic and researcher. As the DLGN website says
The Drexel Learning Games Network is made up of faculty and staff at Drexel University interested in game-based learning initiatives. It was established in the School of Education in Goodwin College with the goal of supporting teaching, researching, and designing of games for learning from K- to infinity.
I had mentioned that though I am not primarily a games and learning researcher, I have done some work in the area, primarily through collaborations with colleagues and students around MSU. I had a lot of fun constructing this talk, attempting to make some connections between my TPACK work and the idea of learning from games.
I see digital games as being an important part of learning – but in a somewhat different way than merely learning by playing games. In fact I have been somewhat skeptical of how one can use games for developing disciplinary knowledge. My experience has been that there is a fundamental tension in designing educational games – where the demands of designing engaging gameplay often conflict with the broader pedagogical goal of respecting the core concepts of the discipline or content to be covered. For instance a recent dissertation on how participants were learning Chinese from playing a massively multiplayer online role playing game (Zon) showed that my concerns were justified. Most participants focused on the gameplay rather than on the tasks that were connected with learning the language. I don’t think that finding this balance between gameplay and learning content is impossible to achieve – but that it is maybe the most important challenge faced by educational game designers.
I tried, in my presentation, to make some connections to learning from games by repurposing games – i.e. seeing their pedagogical potential outside of just playing with them. I of course used the TPACK framework as guiding my talk – but also brought in issues related to trans-disciplinary learning and design.
Last June I had posted a note (Teacher as filmmaker: An update from down under) about the iVideos created by students from the University of Technology, Sydney (under the guidance of Dr. Matthew Kearney). iVideos or “idea videos” are short films often 2 minutes (or less) in duration in which a student explores an important issue in K-12 education.
The idea of iVideos connects with a couple of strands of work that I have been involved in. These include, the TPACK framework, and the learning by design approach. We have written about this in a variety of articles but the specific one that Dr. Kearney points to is:
In this article we argue that there is great value in having teachers engage in such creative, design tasks since it allows them to “transform ideas and practice by immersing themselves in deep pedagogical consideration of subject-matter, significance, audience, learning, epistemology, and aesthetics.” Some evidence of this comes from a blog post by Dr. Kearney, based on his experience of having his students create their own iVideos. He says that,
We noted a high degree of emotional investment, motivation and interest in these tasks amongst our student teachers and postulate that these outcomes were a catalyst in their TPACK development. [You can read the entire blog post here.]
As in the previous year, Dr. Kearney’s students have been busy working on working on a new set of videos for 2011. In this years edition students created iVideos in three main areas related to the use of ICT in education. These topics include, Teacher professional learning; Curriculum; and Social, Ethical, Legal and Equity issues around ICT. There are over 2 dozen videos on the site and you can access them by going to
Click the links above to see the these iVideos and, if possible, take a moment to write a comment or response to the videos. It will take you just a few minutes of your time but I know this will be greatly appreciated by the students.
I had posted earlier about the paper presentations I was involved with during the recently concluded SITE conference at Nashville. Matt Koehler and I were co-Program Chairs for the conference, and sadly Matt was sick and had to miss the trip. In the photo below the space between Gary Marks and myself, is where Matt would stand, if he had been there. (And of course, Gary would be making rabbit years over his head!)
As program chair I had the usual responsibilities, shake hands with everybody, smile a lot, make announcements, introduce speakers and so on. I tried to make these tasks (particularly the announcements) interesting and fun. Below are some examples of some of some of the things we did.
The first is a presentation in which I introduced our first keynote speaker: Yong Zhao. Yong and I go back a long time (almost 17 years!) so I had lots of stories to share, including one of my son when he was three years old! [See the slides here, PDF].
A few days later, I was asked to announce the poster award winners, I had some fun with that as well, particularly in creating, what I called, a “sting” video, revealing nefarious activities that occurred every SITE conference. Of course this was all good clean fun… You can find the video embedded below and the slides here PDF.
I also took some pictures during SITE. You can find them here
Finally you can see a music-video I created for the closing day reception as well as the final set of slides (once again in PDF format)
Over the past few years my scholarly focus has shifted into areas related to teacher creativity and transdisciplinary learning. I see this as being the next step in my research work. Though I have been thinking quite a bit about this, have applied to to my teaching (particularly my course on Creativity in Teaching and Learning), and there have been occasional blog posts about this as well, it has not had much of an impact on my academic writing. A large part of it has to do with the fact that academic writing (writing for journals and edited books) has, by necessity, a longer time-frame than teaching or blogging. Writing and submitting, taking care of changes suggested by editors and reviewers, and then waiting for the actual publication to emerge, all take time.
To cut a long story short, the first article about this new line of work has finally been published. It is a special issue of the journal Educational Technology devoted to Emerging Technologies and Transformative Learning. This special issue was edited by George Veletsianos and Brendan Calandra (thanks for giving us the opportunity) and was co-authored with Matt Koehler (no surprise there) and Danah Henriksen.
Educational Technology had quite stringent word-limits and length requirements, so the final published article is much shorter than what we had originally submitted. And since I had already felt that the original article was shorter than it needed to be… the final version seems more than a bit truncated. For this reason I am providing links below to both the published piece and a longer unpublished version. If I had to choose, I would read the longer version but that need not be your choice.
Abstract: In this article we examine the need for fostering transformative learning, emphasizing the roles that trans-disciplinary thinking and recent technologies can play in creating the transformative teaching and learning of the 21st century. We introduce the Technological, Pedagogical Content Knowledge (TPACK) framework as a starting point for discussing the special kinds of knowledge, skills, and understanding that teachers require in order to become effective classroom mediators of transformative learning experiences. Within this framework, we propose seven cognitive tools needed for success in the new millennium, and describe examples of how teachers can repurpose digital technologies to use these cognitive tools. We explore the implications for research and practice.
Last summer Matt and I created a couple of TPACK commercials for a video presentation we had been invited to make at ISTE in Denver. You can see the commercials here and here and the entire video here. Recently, Spyros Doukakis, a PhD candidate at the University of Aegean, Department of Primary Education, and also a secondary teacher of Mathematics at The American College of Greece, contacted us to let us know that he had added subtitles in Greek to one of the commercials! He also told us that he had been planning on translating and dubbing them into Greek – but for some reason felt that working on his PhD was more important! Really
So what we have below is a spoof-commercial created by a professor of Indian origin at an American university, starring a Turkish graduate student, subtitled by a graduate student in Greece! What an international production this is turning out to be. Mete Akcaoglu, a graduate student in our program, and the star of the video is on his way to international stardom! Enjoy.
The International Conference on Indian Education: The Positive Turmoil. is being held at the India Habitat Center in New Delhi. This Habitat center is a rather cool building and, apart from academic conferences (I saw two different conferences going on at the same time), it also hosts open-air sculpture and art galleries. One of the galleries right near where the IEPT conference was being held was a photography exhibit by Sanjay Nanda. Sanjay is a graphic designer by profession and a passionate photographer in his spare time. He also runs IndiPix Gallery, what he described as “a space for contemporary art photography.” I can’t find an easy way to embed any of his photos here, so you will have to visit their website to check out Sanjay’s work. Trust me, it is will be worth your time.
I just came across this sign on a wall in Bhubaneswar. Check it out, nothing less than “Tension free shiting!” All you have to do is dial a number!
Here is the sign cropped close
Here is the complete sign.
It is part of an advertisement for a packing and moving company. The painter droped the “f” in the word “shift!” I love the fact that this service is available through dialing a single phone number, from anywhere in the country and you can use any mode that you like to dial it in!
For the past couple of years now, our family has been creating new year’s greetings using stop-motion video. This year was no exception. Here it is (on Vimeo)
A very wonderful holidays and a very happy new year to all of you,
from Shreya, Soham, Smita & Punya
You can see other videos made by us… just follow the links below:
Kristen Kereluik, Matt Koehler and I just published an article in The California Reader: A publication of the California Reading Association. The complete citation and abstract is as follows:
This paper discusses new literacy practices that can be enabled through the creative repurposing of digital technologies. We frame the discussion within the Technological Pedagogical Content Knowledge (TPACK) framework. TPACK is a form of knowledge that teachers need to have in order to successfully integrate technology in their teaching. TPACK argues for the idea of teachers as designers of curriculum, who repurpose existing technical tools for pedagogical purposes. Finally we offer a set of implications of this approach for teacher preparation programs.
We start the paper with two examples that were first reported on this blog. The first is from Michael Hughes, a graduate of our MAET program, who had something he does with his 6th grade students and the second has to do with Sean Nash (of Nashworld fame) and an activity he gave students in his advanced biology class – reported here.
As I have been blogging over the years I am finding more and more examples of this kind of bi-directional influence, academic texts end up on my blog (edited or unedited) and my blogging informs the my academic writing! I had expected the former to happen, in fact the broader dissemination of my academic writing was part of the reason I started this blog in the first place. What I had not expected was to see my blogging contributing to my academic writing.
The Dubberly Design Office has created a series of models of innovation, play and design. These are terrific resources and I just found out about them by chance. I see these as being quite significant in the classes I teach, including CEP817: Learning Technology by Design; CEP818: Creativity in Teaching and Learning; and CEP917: Knowledge Media Design.
I am including links to a couple of their models – but I do recommend visiting their site to see more…
Camille Dempsey, a professional development consultant in instructional technology, education, arts and leadership as well as a doctoral candidate in in the Leadership and Instructional Technology Program at Duquesne University has been ” investigating TPACK in conjunction with IT & visual art” and shared a recent presentation she and her colleague made at the Pennsylvania Art Education Association Conference.
Dempsey, J. C. & Linaberger, M. (2010, October). Art in the digital garden: Cultivating best practices in technology integration and art. Pennsylvania Art Education Association Conference, Pittsburgh, Pennsylvania.
I was recently invited to present a keynote address at the 21st Century Instructional Technology Conference (titled Elements of Technology) at the Clark County School District in Las Vegas, Nevada. Clark County is the 5th largest school district in the country with over 300,000 students and it was a great privilege to be invited to present there. I was invited there by the Instructional Technology Department (led by Loretta Asay) and my contact person was Project Facilitator, Sherwood Jones. They are a great group of people and I truly had a wonderful time there.
Apart from the Keynote I also conducted a workshop on Creativity and Teaching with Technology. I had anticipated having around 25 people for the workshop but the room was overflowing (at least 15 more than I had anticipated). That did throw a few kinks into my routine but nothing that was unsurmountable. I am sharing below some of the things that people created during this two hour workshop.
I explained my idea of a creative idea or product as being Novel, Effective and Whole (the so called New NEW)! This led Terra Graves, Thomasina Rose and Kristina Ernest to create this acrostic poem.
New
Organic
Visual
Engaging
Longevity
Educational
Fun
Freedom
Everyone
Creativity
Teachers
Innovative
Variety
Enthusiasm
Winning
Holistic
Outside the Box
Learning
Exciting
Here are a few more from Lisa Widmer, Katie Jones, Brent Mesenburg and Robert Jackson
The first two are limericks that summarize some of the things we had talked about in the first half of the workshop.
Creativity is our goal
Make it Novel Effective and Whole
When in doubt
Turn it about
And satisfy your soul
A second, funnier, version is as follows:
Creativity is our goal
Make it Novel Effective and Whole
When in doubt
Don’t Freak out
It’s quite alright if you stole
The same team wrote another poem, synthesizing some of the ideas we played with in the second half of the workshop.
Being creative is like heaven
Mimic the great Magellan
And fear not missteps
Just use the five steps
And crank that knob to eleven
The “crank the knob to eleven” of course being a response to the (in)famous scene from This is Final Tap.
A couple of other pieces that emerged from this team (can you tell this was a prolific group) was the quote:
“Tweak it to Teach it”
Somewhat along the same lines was Patrick Whitehead who suggested the following two:
Thinking is tweaking your mind
Think better… TWEAK your mind!
Apart from this display of verbal dexterity, the participants also completed a “letter search” task where they looked for letter that spell out the word “Relax, Repose, Reteach.” I had done a similar activity with students in our MAET program a year ago in Plymouth. Essentially what I did was create a somewhat awkward problem scenario the solution to which were the words Relax, Repose, Reteach. So these were the letters students searched for… and this is what they came up with.
Now for the twist! As it turns out one of the themes of the keynote (and the workshop) were the three words “Explore, Create, Share.” Students watched each of the three videos that we had created (see them here) as well as the mashup that had inspired us to begin with (see the original and the mashup here).
What the students didn’t know was that the three words (Relax, Repose, Reteach) could be rearranged to read… (surprise, surprise) the words Create, Explore, Share!! Here is what that looks like…
I must give a shout-out to High School Freshman Bryan Jones who I “volunteered” to help me out. He had a tough job, collecting all the pictures since there were multiple cameras (from regular digital cameras to iPhones), missing cables, a mac that was running Windows (which mean iPhoto wouldn’t cooperate)… and he had to pull everything together in around 25 minutes while the workshop was still going on… And he managed it without fuss and stress. Thanks!
Finally, we all watched the new Steven Johnson video “Where good ideas come from” and created demotivational posters based on what they heard and saw. Below is the video (just in case you haven’t seen it already) and below that the posters the students created.
As you can imagine this was a hectic workshop for all of us. We covered a lot of ground and the participants also created some interesting artifacts that can have a life beyond the immediate workshop. What fun!
The triplet ambigrams keep flying in. This new one came in an email from Chunlei Zhang, a faculty member at East China Normal University, having received his Ph.D. in Curriculum & Teaching from Beijing Normal University. He was inspired after reading my previous blog post (here and here) to make his own design. And being a serious educator he focused on three words that all instructional designers need to keep in mind – Content, Students and Objectives. Which naturally meant that his triplet ambigram was devoted to C, S & O! Check it out below…
A few weeks ago I had shared a few triplet-ambigrams I had designed. For the uninitiated a triplet ambigram is a 3-d shape that cast different, and interesting, shadows depending on where you shine light on it. For instance here’s a triplet ambigram that casts three different shadows that read A, B & C!
Yesterday I received an email from Alex Ruthman, a self-proclaimed regular reader of this blog who had been inspired to create his own triplet ambigrams. Alex is a music educator and researcher at UMass Lowell with an interest in creativity, music technology, web 2.0 and learner agency (see his home page here). Now, Alex has taken the design of such triplets to their next logical level. He does not just prototype them on paper, he designs them in Google Sketchup and then 3D prints them in plastic! Here is a photo he sent to me…
As you can see this shape casts the shadows of L, P & C (depending on where light shines on it). What is more, Alex does not just do this for fun. He has actually found an use for it in his teaching. As he said in his email:
I use these with my music education methods and research courses illustrating multiple perspectives and three modes of engaging with music: listening, performing and creating.
Here’s a new ambigram I designed at the kick-off for the MSU Creativity Initiative. I will have more information on that in a later post but for now… enjoy.
What makes creative relationships work? How do two people—who may be perfectly capable and talented on their own—explode into innovation, discovery, and brilliance when working together? These may seem to be obvious questions. Collaboration yields so much of what is novel, useful, and beautiful that it’s natural to try to understand it.
The series is an excellent introduction to the research on creative collaboration has most interestingly has a series of case studies of creative pairs. The first pair studied were John Lennon & Paul McCartney and followed their careers over time and how the “push-pull” between these two creative personalities led to some of the greatest music of the 20th Century.
The next set of profiles focuses on Matthew Swanson & Robbi Behr, the couple behind Idiot’s Books. Joshua Shenk inflicts on them “a series of experiments, stunts, and adventures” with the goal of shedding “light on the nature of their collaboration—and on the broader questions of relationships, psychology, and creativity.” So far the couple has been given a battery of psychological tests, tolerated a tour of their home and studio, sat on a couch for a psychoanalytic session, and finally, created a verbal/visual map of their creative process. As Shenk says, “What they came up with turned out to both nicely illustrate how they work and to perfectly embody their Idiocy.” I completely and totally recommend anybody interested in creativity to take a look at this somewhat interactive feature: Idiot Books, Creative Process Diagram.
A large part of my creativity course, CEP818, (
