Punya Mishra's Web

Leigh Wolf just sent me a link to this extremely creative YouTube video. The funny thing is that I had seen this a while ago but I didn’t get it. Of course now that Leigh explained it to me, it seems so obvious. Anyway, the narration is crafted in such a way that it reads the same backwards AND forwards. Now this is cool in and of itself, but the kicker is the manner in which the meaning flips when the reading reverses! Very cool.

Here is another one with the same overall idea though less well designed (and a bit more political)

What is most ironic about my “not getting it till explained” is that many years ago I had gotten bitten by the palindromic poetry bug – and had written a bunch of poems that read the same backwards and forwards. Moreover in these poems I tried hard to create a shift in meaning when you began reading the lines in reverse order. So to not notice this self-same pattern when I saw it in the video seems particularly embarrassing. Read the rest of this entry »

I have always been interested in how we use words to capture intangibles. For instance wine connoisseurs have developed a specialized language (which sadly is quite opaque to me) to explain to each other characteristics of wine. So the words “fruity” and “dry” have specific gustatory connections.

I was reminded of this on hearing this NPR story (Andrew Bird: Words As Instruments) about singer, songwriter and multi-instrumentalist Andrew Bird. This is how he describes the goal of his latest album:

Bird says that his main focus while working on Noble Beast was to represent texture in his music.
“I think of like, when I was a kid, and I would get my Sherlock Holmes magnifying glass and throw myself down in a pile of mulch or something and go in there and pretend that I was microscopic,” Bird says. “I wanted to capture that kind of woody, mossy, decaying kind of sound.”

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… Or Why I love the web.

I stumbled upon a piece (Lotus Blossom) by Young-Hae Chang Heavy Industries the other day… and it was like nothing else I had ever seen. At some superficial level it looked like kinetic typography, but both simpler and more complex at the same time. For a while I didn’t know what was going on, but, slowly and surely, I got caught up in the flow of the music and the text, the resonances and dissonances. This was something quite different, and new with a creative and yet uncompromising aesthetic sensibility. Murakami (see here and here) came to mind, for some reason.
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My friend Gaurav Bhatnagar (I had blogged about his new book, Get Smart: Math Concepts here), for some reason, known only to him, has decided to create a poetry-blog based around my ambigrams. Each posting consists of one ambigram (taken from my large collection of ambigrams on Flickr), followed by a short poem inspired by it. Suffice to say, I am quite flattered by all this attention and am highlighting his work on my website (in fact it gets its own sidebar entry on the right). One might argue whether or not these writings can truly be called poems (all I can say is that Gaurav takes full advantage of poetic license), but that is not the point. What is important is the manner in which he often, in true Hofstadterian fashion, understands what inspired me to create these designs in the first place. Thus these poems serve as another layer of interpretation of these designed objects.

As I said before, I am flattered.

Consider for instance two of his poems. The first is around an ambigram of my own name: Punya Read the rest of this entry »

I just stumbled upon Dallas Clayton‘s website. Lots of stuff there to enjoy… here’s a short poem (as a sampler).
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I had posted earlier (see Twittering a tale) about short, short fiction that is suddenly the rage. Matt Koehler just introduced me to another example of this new emerging genre: Six Word Memoirs. Check it out.

A while ago I had blogged about a webpage that chronicles how “artists work” (see my posting here). Now I discovered a whole website devoted to it. Check out Daily Routines. They are all interesting to read and the common theme that jumps out, for the most part, is the level of discipline that artistic creativity requires. Very little of the “flash of insight” moment – but lots and lots of hard work.

Here’s Murakami in the Paris Review:

When I’m in writing mode for a novel, I get up at 4:00 am and work for five to six hours. In the afternoon, I run for 10km or swim for 1500m (or do both), then I read a bit and listen to some music. I go to bed at 9:00 pm. I keep to this routine every day without variation. The repetition itself becomes the important thing; it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind. But to hold to such repetition for so long — six months to a year — requires a good amount of mental and physical strength. In that sense, writing a long novel is like survival training. Physical strength is as necessary as artistic sensitivity.

Enjoy.

What do Donald Rumsfeld and Sarah Palin have in common? Turns out that they both deliver speeches that can, at be, without much effort, converted into poetry. Check out this and this. Some of them are quite briliant.

Nashworld pointed me towards PicLits a website that he describes as being “part visual literacy, part refrigerator poetry, part… fun.” Check out his posting or visit PicLits.

I had discovered the amazing poet Szymborska (on this very blog a while ago). And then today in my mailbox was another poem by her, sent in by a friend.
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Just Stumbled upon this: A Poem by Nichita Stãnescu
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A fun and thought provoking, recursive music video by Allee Willis titled “Editing is Cool.” The video attempts to capture the process of creating this very video, from the lyrics, to the music to the special effects and so on. Denise Caruso (at Salon) quotes Allee Willis as saying, “… you can see every single stage of the song and video coming together, along with work logs and lyrics and lots more.”
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An interesting (and growing) collection of “habits, rituals and small (and occasionally big) methods people and teams use to get their work done. And in the specific anecdotes and the way people describe their own relationship to their own work.”
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An evocative image from today’s NYTimes about our improved understanding of the beautiful phenomena known as the northern lights. You can read the story here, but I would like to quote from the end of the article:
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A poem by Wislawa Szymborska
Translated by S. Baranczak & C. Cavanagh

When I pronounce the word Future,
the first syllable already belongs to the past. Read the rest of this entry »